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My First Job Interview

 

24 years is a long time.  That is even longer to be at one architecture firm.  That’s how long I’ve been in the employ of RLPS Architects.  The US Bureau of Labor and Statistics released a report in September of 2018 that shows the median tenure for employees with their current company is just 4.3 years.  Architecture and engineering occupations were actually a tad higher at 5.7 years.  My firm has had at least four people celebrate a 40th work anniversary, so while I am only half way to that milestone – 24 years isn’t anything to sneeze at.
I have a deep, dark secret though.  It turns out that I never actually interviewed for a job here.  How can that be, you ask?  Nepotism?  Prisoner work release?  Nope.  Not many people can say this, but my mother interviewed for me. 

I wasn’t there. But this is how I’ve always imagined it.

In May of 1995, I was completing a semester abroad.  At that time, RLPS was extremely busy, due in no small part to earning its largest commission to date in 1994.  There were already three interns on board for the summer, which I think was a record for that era, but they thought they could use one more.  Based on the word of mouth from those three interns, who consequently also attended Penn State, a call was placed from this office to my parents’ house to inquire about procuring my services as a summer intern. 
My mother took the initiative to schedule a meeting with one of the partners and to gather up my unfinished portfolio and what she could find of my college transcripts (probably only through year 3 and a half).  Remember, it was 1995, I didn’t have any of this stuff digitally and I don’t think our dial up modem in Italy could have wired a single page of it.  Without any preparation or coaching, she proceeded to present my work and sell my services to the firm.  The only background she had to aid her in the explanation of my work was what little I had told her about it well over six month earlier.  Anyone who knows my mother knows that she is not a particularly visual minded person, but what she lacks is vision, she obviously compensates with loquaciousness.  Somehow, she managed to make enough of an impression that I was hired sight unseen and I reported upon my arrival back in the States.
This is not how I showed up for my first day of work…I swear.
All I can say is:  It pays to be nice to your mother.  She can be your biggest advocate.  And she saved me from a fourth consecutive year of nailing wood studs together through the heat of the summer!

This is the 46th topic in the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “My First Job Interview” .  A lot of other talented writers who also are architects are listed below and are worth checking out:


–>Eric T. Faulkner – Rock Talk (@wishingrockhome)
Interview — Nervous Energy

–>Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“my first interview”

–>Brian Paletz – The Emerging Architect (@bpaletz)
My First Interview – Again

–>Mark Stephens – Mark Stephens Architects (@architectmark)
My first interview

–>Ben Norkin – Hyperfine Architecture (-)
My First Interview – Your Next Interview

–>Larry Lucas – Lucas Sustainable, PLLC (@LarryLucasArch)
My First Interview That Reconnected Me to the Past

–>Anne Lebo – The Treehouse (@anneaganlebo)
My First Interview

How Hip Hop Took Over the World, and Quite Possibly Can Save Architecture in the Process

In the old school days…

If you polled my classmates in 1991, a good many of them may have voted me off the studio.  You see, prior to the iPod or iPhone containing a huge library of music; prior to you even having access to a computer in the studio which could also play your music, architecture studios were essentially boom box battle zones.  My boom box was among the biggest and hardly anyone else liked my kind of music.

I like a lot of music.  Truly.  But, for all that is holy, I can only stand so much Brown Eyed Girl or, Lord help me, Best of Billy Joel.  Certain people in my studio pirated the airwaves with that junk all day long while professors were mulling around.  Either all they had was that one CD or they were too lazy to take it off of “repeat”.  It didn’t matter because it was the banal stuff that would offend no one.  It was, however, all I could do not to grab their boom box and throw it out the fourth story window onto the unsuspecting engineering students below.  During the day, my kind of music was taboo.  But as soon as night fell, I pressed ‘play”.

One of my favorite album covers.  Maybe because the artist was an architect, Matteo Pericoli.
Check him out:  Matteo Pericoli

I showed up to college in 1991 with a crate of rap and hip hop cassettes and CD’s.  There was no streaming music back then?  Remember Columbia House Records?  You got 10 CD’s for $1, then you had to buy so many for regular price over then next 37 years.  It was a total scam but I had Public Enemy, Ice-T, Big Daddy Kane, Beastie Boys, NWA, Digital Underground, Eric B & Rakim – you get it.  I had some punk and what would be called alternative stuff too, but in order to drown out the Chicago Greatest Hits for the eighth time that day, I went to something like Ice Cube.  And loud.  My friends hated me, but I was 18 and intent on offending those around me whom I had decided had offended me with their oppressively uninspired and stale taste in music all day.

Shock value?  Sure.  But contextual too.  This was one of my first hip hop albums.

I was nearly alone in my affinity for the genre.  They all scoffed at my “Hizzouse” music and they were all sure it (hip hop) would never last as a viable musical category.  I did get a few friends together to see Public Enemy, Ice-T and House of Pain at Rec Hall with me in 1992.  It was a steal for a $20 ticket!  But as Chuck D looked out on us (the audience), I believe he called us “Quaker Land”.  Predominately, it was a sea of white kids at Penn State, as it was my studio.

Fast forward almost 30 years.  Hip Hop basically took over the world, as we all know.  Beyonce, the Kardashians – they all married into hip hop royalty.  All of my friends were wrong, and I was obviously right.  And today the AIA is literally dying to get some diversity in the profession of architecture.  Still.  They talked about this 20 years ago.

A couple years ago, a then graduate student in architecture, Michael Ford, blew up the architecture scene with a compelling program called Hip Hop Architecture Camp.  From their website:

The Hip Hop Architecture Camp® is a one week intensive experience, designed to introduce under represented youth to architecture, urban planning, creative place making and economic development through the lens of hip hop culture.

Learn more about Hip Hop Architecture Here:  HipHopArchitecture.com

Beautiful.  How do we get young architects with diverse backgrounds in the pipeline?  College is too late.  High school is too.  Take the message to them early.  Make it seem cool and like it can make a difference.  Music and architecture have always had this symbiotic relationship.  I remember our first year instructor Don going on and on about Mozart’s compositions and how you could have “too many notes” and all that.  Did that resonate with 17 and 18 year olds in 1991?  Not a bit.  Well – maybe a little since I remembered it 27 years later but – Don was no Grandmaster Flash, that’s for sure.

Early hip hop spoke about the environment, the real environment, in which the artists lived.

Ford introduces kids to architecture within the context of contemporary messages.  Bad environments can produce bad social/economic situations for those who live there.  -Of course.  Good environments can promote social equity.  -There’s the solution based problem solving we need.  Architecture is contextual, just as there is a regional component to hip hop.  It started as a battle between the Boogie Down Bronx and Queens, but as rap spread, it became East Coast vs. West Coast.  Then it became even more regional, so today we have such selections as Dirty South, Crunk, Miami Base; there’s a Chicago scene, a Twin Cities scene, St. Louis, Atlanta…you get the picture.  If a certain type of music makes sense in certain place, doesn’t it make sense that maybe the architecture should reflect that too?  Ford will personalize his hip hop to the location of the camp.

Photographer Glen E. Friedman took this photo on his own roof.  He did album covers for many artists across many genres.

Hey, it is no coincidence that the rappers I was listening to in the late 80’s / early 90’s are now popular cultural icons with proven acting careers like Ice-T, Ice Cube, LL Cool J, Will Smith, Latifah, Mos Def, Common, etc. The list goes on.  These people had something to say, and once our demographic became the one with all the money to spend, producers and sponsors took notice.  Now half the commercials on TV have hip hop scores in the background.  And by now we’ve all heard that Ice Cube was studying architectural drafting if that whole NWA thing didn’t pan out.  Kanye wants to “architect” things.  The interests are aligned.  Sir Mix A Lot now fronts the Seattle Symphony.

Even Canada has their rapper.  Yeah, Toronto!

While I may have tried to force my musical preferences on those around me in studio by cranking my box to “11”, it took someone smarter than me to harness the power of hip hop to reach out to youth that maybe wouldn’t have ever considered the career path of architecture or design.  If you don’t get what the kids are listening to, they probably know something that you don’t, and maybe never will.

Happy Accidents

Happy Accidents
Serendipity. Providence. Lucky Breaks.
There always seems to be an element of design that is due, at least in some part, to “fate”.  I’m not talking divine intervention, at least I don’t think so.  I’m talking about how, in school, a piece of your third year model falls off and moves to the other side, where it looks inherently superior.  Or, while frantically trying to pin up for a critique you flip your trace paper backwards and your professor makes such a big fuss over the mirrored version, you have to change the entire trajectory of your project.
Neither of those things happened to me, of course, but I have seen similar situations.  In real life even.
The first occasion I can recall was when we were designing a camp for missionaries.  This was a training center for those planning to move overseas for extended periods, so the decor was intentionally sparse.  The living arrangements consisted of four identical buildings each with twelve monastic cells arranged around a central living and dining space.  The rooms were simple, but generous enough for two people and each has a bathroom with a shower.  While the building design was simple, there was a concerted effort for sustainability that aligned with the values and mission of the Owner.  This project was to utilize a geothermal heat source.  And this was 1999 in a little town in Pennsylvania.  This town was so small, it had neither liquor licenses nor a locally adopted building code.  Think the town in Footloose.
The envisioned Campus
We were hosting a coordination meeting in our office with the Owner, all our engineering consultants and the Contractor.  A geothermal system of this size requires space for pipes, pumps and tanks, especially since the campus was going to be utilizing a well field, shared between these four buildings and the large educational building on the campus.  Our simple parti did not include large mechanical rooms: basements would be too costly and the attic arrangements would not accommodate enough space.  Do we actually have to build a mechanical wart on the back of all these buildings?  Problem is, there is no back to these buildings.  Half in jest, I said “why don’t we just put all of it in one of the guest rooms?”  It was about the right size, as it happened.
Crickets. 
The chip board model.
Sorry, just trying to diffuse the tension… Everyone kind of tilted their heads for a long moment.  After the most pregnant of pauses, the Owner said, “we can make eleven rooms work in each building.”  That was the solution.  Perhaps the most simple and direct solution there that a room full of people were too focused on to find.  Sometimes it just takes a slightly sarcastic twenty-something kid to disrupt the thought process.  Okay, maybe “slightly” is being generous.
We did indeed turn one of the 12 guest rooms into the geothermal mechanical room.
Just a glamour shot of the shared living/dining rooms.
A little later in my professional life, I was confronted with another situation with which (I believe) I handled with more maturity.  This situation, coincidentally, dealt with a building housing twelve dwelling units, this time for retirement living. The rooms were on two floors, six over six, and had parking below.  We had two stair towers and thought we had them located properly – as many of you reading this will know, exits must be a certain distance apart to qualify as separated.  In this case, one-third of the overall diagonal of the building.  We knew this, we just failed (up until this point) to account for the balconies – and they were pretty big balconies.  Long story short, we had to push one of the stairs away from the core of the building.  I felt responsible.  I was responsible.  Not only was it my job to fix it, but it was my job to tell the Owner how we had to change their plan.
In the original rendition, the stair was more or less flush with the porches.
The plan only had to change slightly, but the stair had to project out farther than previously envisioned.  It actually provided for some improved privacy between two adjacent balconies and created a feature on the rear of the building.  This time there was something of a back to the building and it needed a feature, and here was the opportunity to break up the rear elevation and introduce a tower element.  Even so, the change would add some square footage to the program and add some cost and we (that is to say I) still had to convince the Owner that this would be a good thing.  I sat down with the Owner to review the code issue with the location of the stairs and the proposed solution.  Without any hesitation, the Owner latched onto the new design as an improvement.  No head tilts, no pauses (pregnant or otherwise)…
Without the projection of the stair, I don’t believe this elevation would have worked as well.

Call it what you may; happy accidents or serendipity; but sometimes turning your designs upside down can only improve them.

This is the 45th topic in the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Happy Accidents” and was suggested by me this month.  A lot of other talented writers who also are architects are listed below and are worth checking out:


–>Eric T. Faulkner – Rock Talk (@wishingrockhome)
When a Mismatch isn a Match — Happy Accident

–>Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“happy accidents”

–>Nisha Kandiah – The Scribble Space (@KandiahNisha)
Happy Accidents

–>Mark Stephens – Mark Stephens Architects (@architectmark)
There is no such thing as a happy accident

–>Architalks 45 Anne Lebo – The Treehouse (@anneaganlebo)
Architalks 45 Happy Accidents



Learning from Mistakes

Learning from Mistakes

Much of what we do as building professionals has to do with this month’s ArchiTalk subject.  As a code/regulations and quality control person in the office, most of my personal experience as it relates to reviewing construction documents has to do with how I or someone I know may have been burned in the past.  But as an office, we have a collective experience that can surely help us make good projects even better in the future.
The Project Autopsy
Case in point, I had a meeting on my calendar today listed as “Lessons Learned on XYZ Project”.  Again, this was a job that went pretty well.  But when was the last time you said, ” the construction of that last job could not have gone ANY better”?  Of course you haven’t.  Things can always be better.  This was a fairly small job, though complex.  It dealt with a lot of high profile areas at the main entry, and had to be completed during the summer – about two months.  So the schedule was aggressive. 
The meeting consisted of the quality control personnel, the construction administrator, the design team (project architect, interior designer and Revit drafter), interiors partner and the specifications writer.  A total of eight people in a room discussed what could have been done differently to have been more successful than the project already had been.  That is a fair investment of staff hours on a pretty small job that for the most part went pretty well.
Some of the topics discussed included:
  • Long Lead Items on Short Schedules
  • Specific Details on One of a Kind Details
  • Demolition Notes
  • Existing Conditions
  • Door Hardware on Aluminum Storefront
  • Utilizing Technical Representatives from Manufacturers
  • Specifying Finishes in Publicly Bid Work
Some of these topics are so specific, that they may never be applicable to any other job we do.  However, a few of the items will go on the Quality Control Checklist that we maintain.  There are a few items that are already on the checklist that will be repeated for the benefit of the staff’s memory.
Regardless of the size of one’s practice, having a procedure to do a postmortem on even successful jobs is a great way to strive for improvement for your next challenge.  While most projects are unique, there are often opportunists to apply what you’ve learned to other situations.

This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Learning from Mistakes” and was led by Steve Ramos.  A lot of other talented writers who also are architects are listed below and are worth checking out:

Lee Calisti, AIA – Think Architect (@LeeCalisti)
some kind of mistake

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
Learning from mistakes in architecture

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Archi-scar – That Will Leave a Mark!

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“Learning from Mistakes…”

Brian Paletz – The Emerging Architect (@bpaletz)
Forgotten Mistakes

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Are Architects Experts?

Keith Palma – Architect’s Trace (@cogitatedesign)
A, B, C, D, E…

Mark Stephens – Mark Stephens Architects (@architectmark)
Learning from mistakes

Steve Mouzon – The Original Green Blog (@stevemouzon)
How Living Traditions Learn From Mistakes


Designing for Others

Designing for Others

In a sense, architecture is always about designing for others, is it not?  Even if I designed a home or structure for “myself”: as a married person with children, wouldn’t I ultimately take the needs of my family into consideration?  Unless I was designing a domicile for which I intended to occupy in solitude so that I could devote my time to a great work of literature (clearly I am not talking about this blog), would I not consider visitors?  Even Thoreau’s Walden: Life in the Woods devotes a chapter to the comings and goings of visitors (he always had three chairs ready for visitors).  We are never truly alone.

As it turns out, nearly all that I do revolves around design for others.  In my position as one of the “Checker of Drawings”, I essentially become a method actor playing several roles as I read “the script”.  The script, or the collective of the construction documents, as it were, is strictly a draft when I read it.  Depending on which act I am reading, I immerse myself into the character suitable for the role.

First, I become the Code Official.  I am likely seeing this set of documents for the first time.  Even if I know a lot about the project, I pretend I do not.  The Code Official must be able to review the first several pages of a set and get a general understanding of the existing conditions (if there are any), the type(s) of building(s) proposed, the occupancy, the construction type, the amount of area and height, etc.  A lot to do, and it is a challenge to do this clearly and succinctly.  Are there fire walls, and if so, where?  How much renovation is there (Level 2 or Level 3)?  Where are the different uses separated?  We have to come up with a way to convey this information even if it means adding little drawing vignettes to clarify.

Much of what I look for is not glamorous, however stairway enclosure protection is important, especially if missed and not considered during design prior to bidding.

Next, I try to take the point of view of the people building this structure.  How clear are all the transitional details – are there enough blow-ups?  Are the required dimensions there?  Even if the dimensions are there, are they in the right place, where they make sense to the builder?  How have the details considered the person physically putting the drywall on the wall?  We also try to incorporate all of the systems and engineering knowledge to coordinate consultant drawings; so that our drawings don’t say one thing, and the electrical drawings say another.There are so many things to consider that, unless you do the same building over and over again, no one would ever catch them all.  But we try none-the-less and strive to be better all the time.

Sometimes, the things I look for are mundane, like how does this tiny shaft get drywalled up three stories?
Sometimes, when I see the same issue over and over, I need to keep myself sane…

Obviously, the point of view of the Owner, or in our case the end user, is of the upmost importance.  I have to look for details that do not comply with Codes, of course.  However, I find myself becoming the advocate for those with limited abilities of all sorts, where, even if the design complies with the Codes, I typically ask if certain moves might be made to improve accessibility.  In senior housing independent living apartments, typically (per ANSI A117.1) a sink in the laundry is exempt from side approach requirements (the ability for one to approach the sink sideways in a wheelchair and have enough room to center your torso on the sink).  The first instinct of a designer is to throw the sink to the corner as far as you can so that there is as much open counter to fold.  This may work fine for the able bodied resident, but what about one in a wheelchair or scooter?  Even if one is temporarily confined for the time it takes to mend a broken bone or some other kind of ailment, it would still be nice to be able to use your laundry room.


A reception desk in a senior’s environment needs to consider, in all aspects, the perspective from a wheelchair.

In closing, I look at this set from my own perspective.  For this set of documents, even though another architect was the lead on the project, I ask myself what personal experiences can I impart on the design?  I have been designing for seniors for over 20 years, but the office as an entity has been doing so for three times that.  We have a lot of collective experience.  You can also call it collective memory.  You can call it tales from the trenches.  You could even call some of them war stories.  Whatever these deign issues are called, we want to review each project from the perspective of this checklist of items, lest we overlook them.  As one of my favorite sayings goes, “Those who cannot remember the past are condemned to repeat it.”  When the office produces a set of documents, I want us all to be proud of the end result.  For successful building projects, repeating advantageous design moves and avoiding detrimental ones can only help the cause.

Always remember, staff break rooms cannot be considered “employee work areas”!

Note:  If you were wondering…my marks are green and not red because I am not the only one to redline jobs.  My green marks distinguish themselves from someone else’s red marks, while still visible against the black lines of the construction documents themselves.



This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Designing for Others” and was led by Jeff Pelletier.  A lot of other talented writers who also are architects are listed below and are worth checking out:
Jeffrey Pelletier – Board & Vellum (@boardandvellum)
How To Design for Others

Lee Calisti, AIA – Think Architect (@LeeCalisti)
designing for others – how hard could it be?

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“designing for others”

Keith Palma – Architect’s Trace (@cogitatedesign)
Just say no

Mark Stephens – Mark Stephens Architects (@architectmark)
Designing for others

Steve Mouzon – The Original Green Blog (@stevemouzon)
Planting Seeds of Better Design

Anne Lebo – The Treehouse (@anneaganlebo)
Designing for people

Career Path(s)

Career Path(s)

I always say I’ve known I wanted to be an architect since the seventh grade, but that doesn’t mean I knew what it meant to be an architect at that time.  That didn’t come until much, much later.  Even architecture school doesn’t truly prepare one for the path of professional “architect”.  It tends to makes sense that, even upon completion of a degree in architecture, many graduates find themselves working outside the field of of architecture eventually (or even immediately).

In my own graduating class of about 25, I estimate that at least one third of said graduates are endeavoring in professions outside of architecture.  And of the eight or more “outsiders” I count, gender really has nothing to do with it.  And by that I mean: no, it isn’t all the females from our class that dropped out of professional life to raise children.  Quite the contrary, actually; as more women from my class are still in architecture and a higher percentage of men have left it.

So where do these people go and why did they leave?  Do they do something related to architecture or completely unrelated?

I looked to my classmates, friends and former co-workers for answers.  I generated a sort of questionnaire.  Of the people I surveyed, two are in the film industry (one in visual effects and one in set design – no adult film stars that I know of, sorry).  One worked as a product designer for a major ceiling product manufacturer. Two work for the federal government.  One works for a large retirement community and helps new residents layout their new retirement homes and sell their existing ones.  One is a jewelry designer and sculptor who sells her merchandise in museum gift shops and craft shows all over the country.  One person now engineers and builds millwork and cabinetry.  One classmate owns and operates a needlework business.  Last but not least, one colleague now runs a catering business and gourmet shop.  Notice there is not a single stay at home mom or dad listed.  While some may have also done this job IN ADDITION to their other job, it isn’t as if these people have picked up their ball and gone home.  They are contributing to the work place in other ways, some related to architecture, some not so much.
The equal rate of attrition between men and women on the road to achieving their licensure after receiving their degree is in line with a recent NCARB study.  See the link here.
I thought about this and asked each person I know in this position to answer a fourteen question survey.  As to be expected, some surveys took a very long time to get back (architects are notorious procrastinators – no surprise).  Some I am still waiting on.  I hold no ill will, but they are off the Christmas Card list for sure.  Actually our family is so bad at getting Christmas Cards out, we have changed them to New Year’s Cards.  Full disclosure:  I do none of the work on the holiday card front for my own family.  I am the worst.
I tried to get an idea of why each person in the focus group went into the study of architecture, when he/she felt like they might want to change professions, how architecture school may have prepared him/her for other endeavors and if he/she would do it differently or what suggestions might be useful to those pondering the profession.
In terms of when the decision was made to enter architecture school, most of the respondents indicated fairly late in high school.  One person indicated a very young age (before 10 years old), and two actually made that decision after college orientation or after a full year of college.  Our class had a high percentage of students that were older, from 20 to 30 years old, rather than 17 or 18 like the rest of us.  I am not sure of the reason for this but it didn’t really matter other than when it came time to buy beer.  I would guess that the dropout rate for the traditional freshmen was about the same as those entering architecture school with a few years already under their belt.
When asked if there was any point that they felt entering architecture school was the wrong one, answers were all over the board.  Some had doubts in school (of course we all did in some way due to the pressures of studio).  One person actually left a message for their adviser in order to start the process of switching majors.  The adviser never called back and he ended up sticking it out (see above for ‘procrastination’).  One woman kept a pink ‘Change of Major’ slip pinned in their work space all five years.  Another indicates that every semester was plagued with doubts.  Several respondents settled into the program with less tumult that the rest of us.  And lastly, one man didn’t have doubts until he received his first paycheck and saw the amount of overtime he was working.

When asked if they intended to seek employment outside of the profession immediately following college, most responded that they first sought traditional work for architectural graduates.  Only one intended to pursue work in a related field (architectural preservation).  Many found traditional work.  Only one person I polled fell into another profession while looking for traditional work; the video gaming industry.  In fact when he started in the gaming job, five of the six people on his team were either architecture school graduates or licensed architects.

Only one of the respondents is currently a licensed architect.  Having worked for a division of the federal government for several years as their architect, he decided to actually join them as a project manager.  As a result, he left the private sector to work for this government agency, running their construction projects as an Owner’s representative.

Another former coworker also got a job with a government agency in a field directly related to architecture.  But when it became clear that a transfer from his current city was eminent, he found work in another department in graphics and web design in order to stay put.

My classmate Jake has a very unique resume.  After graduating with us in architecture, he ended up traveling around a bit, trying to decide where to work.  In doing so, he passed through San Francisco and thought how cool it would be to work somewhere like Pixar.  When traditional jobs did not immediately pan out, he found himself working in the video gaming industry, contributing on several games in the Star Wars series for Lucas Arts and Marvel Nemesis for Nihilistic.  Eventually he made his way to the other side of the planet, working for Weta Digital, currently as Layout Head of Department, and has worked on films like Avengers: Infinity War, Avatar, X-Men: First Class, and the Hobbit trilogy.  Oh, just look at his IMDb page.  Jake attributes his current skills like spatial layout, 3-D problem solving, art history and managing stressful deadlines to his architectural training.
In perhaps one of the most unexpected results of my survey, one respondent actually came back to work at an architectural office:  the one I work for.  Jim had worked for us more than ten years ago and eventually found employment with a major manufacturer of ceiling products, where his wife also worked at the time.  He worked in several positions over about a decade from research and development of ceiling products, to working with architects and designers to produce specific solutions for their design needs.  While his positions were maybe more traditionally filled by industrial engineers, the problem solving aspects of working in buildings perhaps benefited him during his time there.  When I contacted Jim to answer my survey and catch up for lunch; I gave him a tour of our new office space.  A few weeks later and Jim rejoined us.  Yes our office is that cool.  Jim has since wondered off into new adventures since.  He went on to join a German building product manufacturer, a commercial case goods manufacturer and now works for a residential home building company as a sales manager, where yet another of our classmates now works as a studio manager.

My friend Melissa runs a business creating handmade jewelry and other objects made from industrial and recycled materials, see:  StubbornStiles.  She worked in architectural offices for about ten years before making that move.  And if there was anyone I would have expected to do something outside of architecture, it was Mel.  Not to say she wasn’t talented and couldn’t have excelled in an office, but I expected her, more than anyone else I knew from college, to create her own professional path.  I visited her once in San Francisco many years ago where she was working in a firm, and it was very strange for me to see her step out of the office, dressed the part in every way.  What she does now totally fits her.  (She was the one with change of major slip at her desk in college).  She now works with her super cool and talented family in Portland, Oregon.

My wife worked for a very small architectural firm doing mostly residential work for a short time, but left to work for a nationally known home building company.  She liked the residential aspect of the work and she needed to pay off student loans, and this job paid better.  She went on to move to where I was living in Lancaster, PA (and we still live there today) and worked for two different regional home builders.  She went part time after our first child and eventually quite all together after our second.  She never fully intended to leave the work force, and continued to freelance drafting work.  Eventually, an opportunity came to her through one of her freelance clients to become what is termed the Transition Specialist for a very large retirement community.  She meets with clients who will be moving into the retirement community, measures their furnishings that will be going with them, and lays out the furniture plan for them in their new apartment plan.  She also provides tips for selling the home they are leaving.

I know or know of others that have gone into designing and building furniture, culinary and catering endeavors, and even a needlework shop and business.  It is clear that all of these changes in profession have one thing in common:  there is still an aspect of design and/or art relating to them all.  When asked how their architectural education benefited them in their non-traditional professional field, the answer returned was unanimous from the focus group:  the ability to problem solve.  It is a different kind of problem solving than the engineer or mathematician.  The problems presented to architects and even to students in school are open-ended and never only have one answer.  We are taught to think in terms of options.  The solution that is best for Client A is almost certainly not the best solution for Client B.

The architect must work between what the client thinks they need, what the codes require and what the engineers need to do.  I have always thought that being an architect requires, almost above all else, the ability to compromise.  The best solutions can answer questions that weren’t even asked.  Architecture school teaches creative thinking to spatial problems as well as time management skills.   It also teaches how to take criticism.  Does it ever…

Most of the people in my limited survey also know others in their fields who studied architecture or were architects.  The last couple of decades have seen a few deep recessions.  Architecture was one of those majors everyone was warned against very recently, see:  Degrees to Avoid.  Getting a job in architecture has been difficult at several times over the course of the last 20 years, which can influence some to abandon the traditional route and go into something else.  There are also several famous folks who at least started an architectural education before going off to become famous for other things.  See:  Career Paths. Some actually got their degrees and practiced before going into acting, singing, even royalty…good work if you can find it.

Several respondents suggested they didn’t know what they were getting into.  There are a lot of programs today targeting high school students that didn’t exist when I considered a college major.  I actually have volunteered for the program at Penn State.  See:  Career Advice.  This would have been extremely helpful to me as a college freshman and would have provided for a good transition from high school to studio.  It turns out there are dozens of these programs over the summer from one week to six weeks.  See:  Summer Programs.  I would tend to think that incoming students at least have the opportunity to know what they are getting into.

Most of the people I polled believe that the education of an architect can provide one with a set of skills that is transferable to other undertakings.  Of course to be licensed, there is the Architectural Registration Exam to contend with, along with the NCARB internship requirements.  But that is a discussion for another time.  Architecture school is not for everyone, considering my class barely graduated 25% of the original first year sudents.  Even my colleagues who are in fields that have college programs tailored specifically to them (like animation and stage set design) discover aspects of the architectural program that inform their work.  Needless to say, a Bachelor of Architecture or Masters of Architecture is the most direct path to becoming a practicing architect.  But an architectural course of study is able to translate to a wide variety of career pursuits.

This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Career Path” and was led by Mike LaValley.  A lot of other talented writers who also are architects are listed below and are worth checking out:

–>Jeff Echols – Architect Of The Internet (@Jeff_Echols)
Well, How Did I Get Here (Again)

–>Lee Calisti, AIA – Think Architect (@LeeCalisti)
a paved but winding career path

–>Eric T. Faulkner – Rock Talk (@wishingrockhome)
Career – The News Knows

–>Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
#architalks 41 “Career Path”

–>Brian Paletz – The Emerging Architect (@bpaletz)
A Winding Path

–>Drew Paul Bell – Drew Paul Bell (@DrewPaulBell)
Career Path

–>Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Career Path of an Architect (And Beyond)

–>Mark Stephens – Mark Stephens Architects (@architectmark)
Career Path

–>Steve Mouzon – The Original Green Blog (@stevemouzon)
A Strange Career Path

Words

Words

How we use words is important.  They are one of our inexhaustible resources. But if we don’t use them mindfully, there is no limit to the mischief they can cause.

Many may think that the Drawing we produce for projects would govern all intent.  That is not always the case.  The accompanying document to the drawings is the Project Manual and it contains within it, among other things, the Specifications.  There will be a set of chapters for each type of construction or products designated in the Drawings.  Hopefully the Drawings and Specifications are properly coordinated and match up in all instances.  That doesn’t always happen.  We would like, as design professionals, for anyone else interpreting our Construction Documents to ask us our intent if there is any confusion, but that doesn’t always happen either.  While it is more complicated than can be described with this single sentence, a general rule in the profession is: in the case of difference between Drawings and Specifications, the Specification shall govern.

There is another choice word in that last sentence.  See that word “shall”?  Could it not have said “will”?  Of course.  But in legal jargon, “shall” connotes a strict requirement.  The word “will” could simply mean something that will take place in the future.  Look at the founding documents of our Country.  Those guys used the term “shall” liberally.  They knew something about lasting documents!
Speaking of “shall”, writers of building codes also LOVE the word “shall”.  In case you were wondering (I know you were), the 2009 IBC, 12th Edition mentions the word “shall” 9,109 times.  There’s only 716 pages by the way.

Word choice is key.  I am a big believer in using as few words as possible to convey a message, whether it be a note on a drawing, an email to a Client, or a response to a Contractor.  I wrote another post on that topic here:  Yada Yada World, so I won’t get into it here.

But you have to use the right words.  I love my daughter dearly, and I am not making light of her auditory processing disorder, but she said the funniest thing at the dinner table recently.  She is very musical and volunteered to play at this year’s high school graduation.  When she told us the tune they were to play, I nearly spit out my peas.  She told us she was practicing “Pomp and Circumcision” instead of “Pomp and Circumstance”.

So yeah, words are important.

This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Words” and was led by Jeremiah Russell.  A lot of other talented writers who also are architects are listed below and are worth checking out:

Jeff Echols – Architect Of The Internet (@Jeff_Echols)
Does anyone hear your words?

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
Visual Words

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Words are Simple — Too Simple

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“words”

Meghana Joshi – IRA Consultants, LLC (@MeghanaIRA)
Architalks 40: Words

Brian Paletz – The Emerging Architect (@bpaletz)
A pictures worth

Drew Paul Bell – Drew Paul Bell (@DrewPaulBell)
Mindset for Endless Motivation and Discipline #Architalks

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Use Your Words (Even When You Can’t)

Mark Stephens – Mark Stephens Architects (@architectmark)
Words

Leah Alissa Bayer – The Stoytelling LAB (@leahalissa)
Architects Are Storytellers

ArchiDad

Being an ArchiDad

Having children changes anyone.  Hopefully it does, anyway.  I know it did change me.  My wife and I were married for five years before we had children, which I think we both are glad we did.  Getting to know your spouse is quite important.  Having that time to work on your relationship before you introduce any rug rats, in our opinion, made it easier later for us.

But how did being a dad change me as an architect?  Before I get into that, it bears mentioning that my wife and I went to architecture school together.  She gets this crazy professional life.  She understands the crushing deadlines.  And even though she no longer is exactly in architecture, this life would be unbearable without a partner who understood it.  Adding children to the equation would have further complicated things.
We do all the mundane, architect-y stuff with our kids.  They had their share of building blocks and Legos growing up.  We yammer on about cool building details when we see them (and they call us nerds).  And our kids have been on more than their fair share of architectural tours.  We told the kids we are going to Niagara Falls, which of course we did.  What we didn’t tell them is that we would be stopping in Buffalo for a couple days and, oh yeah, Frank Lloyd Wright has a few buildings to check out.  We went to the Smokey Mountains and, oh yeah, there’s this house we need to see called Biltmore.  Now they know better, that there is at least one architecture tour per vacation.  But more so than this kind of stuff, being an architect has a lot of the same challenges to home life as other jobs, and maybe just a few unique challenges.

Just Your Typical Family Summer Vacation.
Like virtually anyone else born since the 1960’s, my first encounter with an architect who was also a dad was Mr. Mike Brady.  He was the indelible family man.  Mild mannered and almost always home in that wood paneled den with shag carpet.  In this business, we can’t always be home.  But luckily, we found a home that is just 2 miles from the office, so that my time is not further eaten up by a daily commute.
Yes, this is on the way to Niagara Falls, I swear.
As married couples without kids, we often came home from work for dinner “whenever”.  Sometimes ate just cereal or Uncle Ben’s rice.  Sometimes we ate without the company of each other.  Sometimes we had to stay until it was too late for dinner.  That changed with children.  At first, we both worked and shared cooking duties, but we ate as a family every night that it was possible.  Now, we are lucky enough to be able to live on one salary, and my wife, who is a wonderful cook, will have dinner ready at 5:00 on the dot.  This not only works for me but also for the schedules of our two, now teen aged, children.  If at all possible we eat as a family unit every night.  I am one of the first ones to leave the office in the evening in order for this to happen.  However, I often eat with the family, and return to work, sometimes within about an hour.  After dinner the kids head back to homework or practice or whatever.  But we have that hour together.
This schedule is important to us.  And it doesn’t happen everyday, but the key for us is to make it the exception, not the rule, that we don’t have dinner together, all four of us.  Our business requires a lot of travel.  Somehow, I got into a habit of writing a little note on a Post-It in each of their rooms the night before I leave for any overnight trips, while they’re sleeping.  Now, they are an expected ritual, as if I took over where the Tooth Fairy took off.  If you’ve ever been overlooked by the Tooth Fairy, you know what I am talking about…
My kids almost always ask me what I did today.  There are days when I don’t even want to try to explain to them the things I do in a day, but I figure if they ask, I should tell them.  As a result I don’t think either one of them will pursue architecture.  I’m honest.
Having kids made me look at the balance in our lives.  Life can’t be 99% work and 1% “the rest”.  Before kids, that balance was difficult to strike.  Kids can have a grounding effect.  There is no getting around the fact that this business means some long hours.  So does parenting.

Sometimes it works out for them.  They got to swim in the Montreal Olympic Stadium.

In my career, I also lost my way in taking care of myself.  Over the years, bad eating habits and lack of exercise packed on the weight.  Having kids makes you think about sticking around as long as you can for them.  Last year, I made a commitment to myself (but also still for the family) to take better care of myself.  I started a better eating program and I hold two nights a week sacred for working out.  I can be flexible with the days but not with the number of days per week.  It has paid off, and after losing over fifty pounds, I essentially look at that as more time of better quality that I can spend with the three people I don’t want to be without.

Cue the sappy Brady Bunch interlude music.

That is one sweet T-Square.

This post is a special Father’s Day Edition of the ArchiTalks series where a group of us (architects who also blog, who are also dads) all post on the same day and promote each other’s blogs. This edition was led by Brian Paletz.  A lot of other talented writers who also are architects (and dads) are listed below and are worth checking out:

–>Brian Paletz – The Emerging Architect (@bpaletz)
#Archidad – A modern approach

–>Jeremiah Russell, AIA – ROGUE Architecture (@rogue_architect)
Happy Fathers Day #archidads

–>Eric T. Faulkner – Rock Talk (@wishingrockhome)
The Dad — The Architect

–>Rusty Long – Rusty Long, Architect (@rustylong)
Life as an Archidad

–>Mark Stephens – Mark Stephens Architects (@architectmark)
ArchiDad

–>Larry Lucas – Lucas Sustainable, PLLC (@LarryLucasArch)
A Daddy Architects Work Life Blur and My Escape

–>Steve Mouzon – The Original Green Blog (@stevemouzon)
Fathers Day for Architects – The Empty Seat

–>Jared W. Smith – Architect OWL (@ArchitectOWL)
ArchiDad on Father’s Day

Happy Father’s Day everyone!

Experience

Experience.

Photo Credit:  Photos-Public-Domain.Com


Experience is, in my opinion, the best education of an architect.  Nothing in school can prepare you for the “real world”.  That is why one of the cornerstones of our profession is an internship.  Certain experiences must be collected prior to being able to sit for the exams. That’s the way it should be; for all the same reasons you don’t want any doctor to treat you that hasn’t had at least some experience with patients.

Nobody bothers to count the rings of a sapling that is cut down.  There’s no history.  Now, an old grow log is another story.  You can tell a lot about the life of a tree by looking at the rings.  You can see the good years and the bad.  Drought or bountiful rainfall, wild fires or blight; wounds of various variety.

Photo Credit:  U.S. Forestry Serivce

Experience is how we learn from our mistakes.  Mistakes don’t prevent us from growing, but they may imprint an indelible mark on our journey.

I ran a variety of projects for 20 years for my firm.  I had a good amount of success.  I also made my share of mistakes.  For most of those mistakes, I figured out how to fix them.  I didn’t do it all on my own, I had a wealth of other people’s experience working for me, both in the form of co-workers as well as consultants or other partners.  I will say this: I rarely made the same mistake twice. 

Now I help others in the office review their plans.  This is a job I never intended to hold, but it is one that I can do only because of the experiences I had as a project manager.  Why do I look for that extra clear space in toilet stalls if the partitions go all the way to the floor?  I had to fix that once.  Why do I double check remoteness of stair towers?  Had to fix that once.  Why do I look at combustible concealed spaces?  You get the picture.

When I first started out, I always thought that architecture was a profession for the grey haired.  There is no substitute for experience.  I am not suggesting in any way that you attempt to cut open your architect and count his or her rings.  Trust me, those trials and tribulations are there if they have the experience.

This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Experience” and was led by Lora Teagarden.  A lot of other talented writers who also are architects are listed below and are worth checking out:

Lee Calisti, AIA – Think Architect (@LeeCalisti)
experience comes from experiences

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
Gaining Experience As A Young Architect

Jeremiah Russell, AIA – ROGUE Architecture (@rogue_architect)
knowledge is not experience

Eric T. Faulkner – Rock Talk (@wishingrockhome)
That’s Experience — A Wise Investment

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“experience”

Brian Paletz – The Emerging Architect (@bpaletz)
You need it to get it

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Channeling Experience: Storytelling in the Spaces We Design

Keith Palma – Architect’s Trace (@cogitatedesign)
The GC Experience

Mark Stephens – Mark Stephens Architects (@architectmark)
Experience

Leah Alissa Bayer – Stoytelling LAB (@leahalissa)
Four Years In: All Experiences Are Not Created Equal (Nor Should They Be)

Unlikely Inspiration


Necessity and her daughter, Invention.


Don’t you hate blogs that start with a tired, old cliche?  I know I do.


I am from Lancaster, Pennsylvania.  Lancaster has a lot of barns.  Barns have doors that slide along a track.  Lancaster also has a lot of retirement communities.  I think you know where I am going here….  No?  Let me back up.

One of the biggest trends in the last 20 years is trying to get some privacy into shared, or double-occupancy nursing rooms.  This makes a lot of sense.  Shared rooms are much more economical, as that means building half as many bathrooms as private rooms.  But residents, family members, health care staff and even HIPPA, want some privacy for each individual occupant.  As square footage is king, any ways to improve privacy in tight spaces are at a premium.

I know nursing homes aren’t “sexy” to architects.  But consider this is what we are trying to improve:

Typical “semi-Private” Nursing Bed – Unchanged from 1900 


Ideally, we would layout a new building to provide layouts that accommodate separate quarters for each resident, along with a common foyer that allowed for entry into the bathroom as well as the corridor.  Pretty straight forward, but this was not what most nursing rooms looked like in the early 1990’s.  This was a big leap.  What’s more, if you’ve ever worked in healthcare, you know that they hate pocket doors.  You can’t clean the pockets, yet stuff can get back there, so there is a fear of infection, etc.  In our original plans, we used cubical curtains.  

State of the Art Circa 1990-something.  “Shared Room” takes the place of “Semi-Private.


What can we do to improve upon this?  Doors are the obvious answer, but how?  It turns out, we were able to convince the Health Department that “barn doors” are a hygienic alternative to pockets.  With a barn door, we get all the benefits of a pocket door and eliminate all the space a typical swinging door needs.  Did I mention that all these doors needed to be 3′-8″ wide to be able to move the beds through them in an emergency?  Each room not only has its own space, but each bed has a window.  Not the case in the first example:  one resident gets proximity to a window, the other gets the bathroom door!

Saving space is particularly important in projects that combine additions that have the nice layout of the Shared Room, but also renovations that try to provide the same privacy in a space that wasn’t designed for it.  Below is a sample reconfigured space – the exterior walls and corridor walls did not move:

Here we had two former traditional layouts combined but maintain privacy.

In the diagram above, barn doors can literally slide behind the dressers.  Swinging doors would not have worked at all.  The bathroom also uses a barn door.  In this instance, we were completely re-configuring the space “inside the box”, but were able to provide similar privacy in the renovated space as in the brand new building.

But what if you have a double occupancy room which cannot be reconfigured substantially?  The diagram below is an example of that.  The alterations only include a dividing wall to create privacy.  But the space was so tight, that the openings into the rooms were forced into a 45 degree angle.  

Revised room with added privacy wall and sliding doors.


The intervention is minimal but we are left with a problem as to how to close off the private rooms.  The client was not satisfied with cubical curtains.  The door track required to open a sliding door at a 45 degree angle is not something that’s off the shelf at Home Depot.  As we are not in the business of inventing door hardware, the Contractor and a local metal fabricator designed and built something that actually worked.  But that is only the first hurdle.  We had to get the health Department to sign off on it.  Did I mention that a floor track was forbidden?  The Contractor devised a track that ran along the wall to keep the door from flopping around.

A complete mocked up room and opening was built to demonstrate its performance.

Mock up – Half Open.  Or is it Half Closed?
Mock up – Mostly Closed.
Mock up – Track from Foyer Side.

Mock up – Track from Resident Side.

The door was approved and went on to be installed.  Between the modest renovation plans, tight spaces and an Owner who was unwilling to compromise, a brand new type of door was created.  We just don’t have a name for it yet.  Any inspired suggestions?

Finished project – door in closed position.  Transom lights allow borrowed light into the foyer.

Finished project from the room side.

This post is part of the ArchiTalks series where a group of us (architects who also blog) all post on the same day and promote each other’s blogs. This month’s theme is “Unlikely Inspiration” and was led by Eric Faulkner.  A lot of other talented writers who also are architects are listed below and are worth checking out:

Lee Calisti, AIA – Think Architect (@LeeCalisti)
unlikely inspiration was there all along

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Inspire — A Clover

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Unlikely Inspiration: The Strange Journeys of the Creative Process

Mark Stephens – Mark Stephens Architects (@architectmark)
Unlikely Inspiration – Herbert Simms

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
Unlikely inspiration

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“unlikely inspiration”

Tim Ung – Journey of an Architect (@timothy_ung)
Inspired by Leather Working

Steve Mouzon – The Original Green Blog (@stevemouzon)
A Most Unexpected Inspiration